Sigma 100-400mm f/5-6.3 DG DN OS Contemporary - Review / Test - Sample Images & Verdict
Lens Reviews - Sony Alpha (Full Format)

Sample Images

Click on an image for downloading the full-size variant.

MakeSONY
ModelILCE-7RM2
ISO Speed200
Focal Length230.3mm
Aperture:f/8.0
Exposure1/800s

MakeSONY
ModelILCE-7RM2
ISO Speed200
Focal Length305.6mm
Aperture:f/8.0
Exposure1/1000s

MakeSONY
ModelILCE-7RM2
ISO Speed200
Focal Length400.0mm
Aperture:f/8.0
Exposure1/320s

MakeSONY
ModelILCE-7RM2
ISO Speed200
Focal Length400.0mm
Aperture:f/6.3
Exposure1/250s

MakeSONY
ModelILCE-7RM2
ISO Speed200
Focal Length400.0mm
Aperture:f/6.3
Exposure1/200s

MakeSONY
ModelILCE-7RM2
ISO Speed200
Focal Length400.0mm
Aperture:f/6.3
Exposure1/2000s

MakeSONY
ModelILCE-7RM2
ISO Speed640
Focal Length338.7mm
Aperture:f/6.3
Exposure1/200s

MakeSONY
ModelILCE-7RM2
ISO Speed640
Focal Length282.8mm
Aperture:f/6.3
Exposure1/1600s

MakeSONY
ModelILCE-7RM2
ISO Speed400
Focal Length185.0mm
Aperture:f/5.6
Exposure1/2000s

MakeSONY
ModelILCE-7RM2
ISO Speed400
Focal Length100.0mm
Aperture:f/5.6
Exposure1/4000s

MakeSONY
ModelILCE-7RM2
ISO Speed400
Focal Length400.0mm
Aperture:f/6.3
Exposure1/2000s

MakeSONY
ModelILCE-7RM2
ISO Speed640
Focal Length292.5mm
Aperture:f/6.3
Exposure1/200s

Competition

The Sigma 100-400mm f/5-6.3 DG DN OS Contemporary (shown to the left) sits in a bit of a sweet spot. It is far more affordable than the Sony FE 100-400mm f/4.5-5.6 OSS GM (center below) and even the Sony FE 70-300mm f/4.5-5.6 OSS G (not shown). There are longer lenses like the Tamron 150-500mm f/5-6.7 Diii VC VXD (to the right below) which are certainly sexier but besides being also more expensive, they are also much heavier. Optically the Sigma lens should be "good enough for most". The Sony 100-400mm GM, the Tamron, and the Sony FE 200-600mm f/5.6-6.3 OSS G may be a tad sharper still if you want to go for the max though.

Image courtesy of camerasize.com

Verdict

The Sigma 100-400mm f/5-6.3 DG DN OS Contemporary is a subtle improvement over the older DSLR version - both optically as well as mechanically. The image quality is primarily better at the wide end of the zoom range with a much higher sharpness in the outer image field. The high quality is maintained in the middle range. At 400mm, the center sharpness remains very good but there's a drop in corner performance. Stopping down helps to broaden the really sharp zone. Keep in mind that the resolution has its limits because of the inevitable diffraction at f/6.3. Lateral CAs are low. Uncorrected image distortions are fairly high for a tele-zoom lens with a peak of 2% (pincushion style) at longer settings. This is, of course, not a drama with activated auto-correction. This also helps with vignetting which otherwise would be very visible at the long end as well. The quality of the bokeh is decent for a zoom lens albeit primes still rule the scene in this respect.

The build quality of the Sigma lens is quite impressive for a consumer-grade lens. Plastics have been replaced by metal near the mount and there's at least a mount-gasket providing some shielding against dust and moisture. Few will probably take advantage of this but it's nice that Sigma provides the option of attaching a tripod mount. The AF is snappy and combined with the effective image stabilizer, it's fun to use in the field - also because it's relatively compact and lightweight for such a lens reaching 400mm.

The decent optical- and mechanical qualities don't even cost a fortune either and, as so often with Sigma lenses, the 100-400mm f/5-6.3 DG DN OS Contemporary is an obvious value king. If you want higher quality, you'll have to invest quite a bit more.

Optical Quality:    
★★★★★
Mechanical Quality:
★★★★★
Price/Performance:
★★★★★

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