Zeiss Planar T* 50mm f/1.4 ZF - Review / Lab Test Report - Analysis
Lens Reviews -
Nikon / Nikkor (APS-C)
Wednesday, 26 December 2007 12:26
Page 2 of 2
The Zeiss 50mm f/1.4 ZF produces a slight degree (0.6%) of barrel distortion.
Nonetheless it is worth to mention that this is comparatively high when looking
at competing lenses out there.
The chart above has a real-world size of about 120x80cm.
The Zeiss lens exhibited the typical distribution of vignetting for a
lens in this class. At wide-open aperture the vignetting is relatively
pronounced at 0.7EV. However, starting at f/2 the problem is negligible
under field conditions.
Traditionally 50mm lenses were and are still a benchmark for film as well as
image sensors and the Zeiss lens is no exception here. The center resolution
is already very good at max. aperture whereas the borders are a bit soft
and also low in contrast. By f/2 the corners already recover significantly
and the center heads towards excellent quality levels. Stopping down further
unleashes the full resolution potential which can only be described as
bitingly sharp. In fact the Zeiss beats all comparable Nikkors and
sets a new (center) resolution record on the D200. It is quite safe to state that
the Zeiss easily outresolves the 10mp Sony sensor.
Below is a simplified summary of the formal findings. The chart shows line widths
per picture height (LW/PH) which can be taken as a measure for sharpness.
If you want to know more about the MTF50 figures you may check out the corresponding
Chromatic Aberrations (CAs)
Chromatic aberrations (color shadows at harsh contrast transitions) are
still moderate in absolute terms but a little disappointing for a fix-focal
lens. The degree of CAs remains constant across the tested aperture range
with an average width around 1.2 pixel at the image borders.
The Zeiss Planar T* 50mm f/1.4 ZF is an anachronistic lens these days. It
is fully manual both regarding focusing as well as aperture control on the lens.
It is not even a perfect lens - the vignetting figures are in line with
the rest of the gang and the level of distortions and CAs is even a little
higher though still moderate in absolute terms. However, there`re
at least two aspects that are definitely -not- moderate. The most obvious one
is the great build quality and the other one is resolution. At wide-open aperture
you shouldn`t expect great wonders - the Zeiss is in-line with the rest here - but
from f/2.8 and up the resolution figures are truly brilliant. The price tag of the Zeiss
is almost surprisingly affordable at 499EUR (about 650US$) ... which is still
twice the price of the corresponding Nikkor AF lens which is only marginally
inferior. Well, as always you have to pay bitterly for that final extra kick.